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YVAA

Exchange in Visual Arts YOUNG VISUAL ARTISTS AWARDS
A Project of the Foundation for a Civil Society


The Foundation for a Civil Society (FCS) with affiliates in ten countries in Central and Southeastern Europe has organized a major international award program for young visual artists in the region. This unique program was established with President Havel and a group of artists in Czechoslovakia in 1990. Since then this highly successful annual program with national exhibitions and awards, including travel fellowships to the United States for artists under the age of 35, has now been expanded from the Czech Republic to Slovakia, Bosnia and Herzegovina, Croatia, Kosovo, Macedonia, Serbia, Slovenia, Albania and Bulgaria and two more countries – Hungary and Romania – are currently in negotiations.
The organizers in each country and FCS wish to extend the scope of the program by regular gatherings of the artists, curators, organizers and arts professionals to engender greater contact as well as exposure for the young artists of CEE & SEE. These will include both formal and informal encounters, exhibitions, catalogues, and residencies. Digital media is being used to present the art scene of the region with web-based portfolios of the artists at www.yvaa.net. All these will create vital connections and increase the public awareness of the talent available in these countries. The artists cherish the contacts they have made among themselves during their fellowships abroad and would like to deepen and broaden these. The YVAA partners have already received grants from the European Cultural Foundation and the Erste Foundation to begin with the first phases of the envisioned activities.
The cultural scenes in the countries of Central and Eastern Europe are at various stages based on the speed of transition and recent political developments. Young artists in these countries, however, face the same issues when developing their careers – seeking acknowledgement, building reputation, looking for contacts, desiring an exchange with peers, and exposing themselves to the larger world and its art scene. Few institutions exist to help them achieve these goals and they differ from one country to another.
In 1990, President Vaclav Havel and a group of artists founded the Jindrich Chalupecky Award in Czechoslovakia designed to expose young artists to the free world and to underscore the role of culture in democratization. They established an open and transparent annual competition judged by an independent and changing jury without the nepotism and favoritism of communist days. The award provides a young visual artist under 35 not only with the opportunity to have a joint exhibition with the finalists at a prestigious gallery or museum but also to travel to the United States and participate in the dynamic art scene in New York. Upon returning home, he or she has a solo exhibition. It is now the most respected arts award in the country. After the split of Czechoslovakia, a similar award was also established in Slovakia. Several years later art organizations from other countries expressed interest in replicating this structure and their effort gave birth to the Young Visual Artists Awards project, which now encompasses ten awards – Bosnia and Herzegovina, Croatia, Macedonia, Kosovo, Serbia and Montenegro, Slovenia, Albania and Bulgaria. A total of 66 young artists have been awarded so far and for all of them, the receipt of the award marked a significant change in their careers.
The Foundation for a Civil Society (FCS), with generous funding from the Trust for Mutual Understanding, has managed the U.S. part of the fellowship, receiving the winning artists and arranging their visit and travel for a six-week stay in New York with program and a studio at the highly acclaimed International Studio and Curatorial Program. Organizations in each country independently conduct the in-country competition, the exhibitions, the fundraising and the award ceremony, reflecting their commitment to the goals of the awards.
The project builds on a unique, organically growing program that started with an idea in 1990 and over time grew into a group of awards in ten countries. The fact that the awards have shown growing interest in their own countries is the expression of the strength of the simple but effective idea behind the awards. Basing cooperation on an organically created network is a unique process in the region and so far only limited cooperation between all of these countries exists. The oldest of the awards, the Jindrich Chalupecky Award in the Czech Republic, is an example that organizers in the other countries wish to follow – the prestige of the award within the Czech Republic is constantly growing and the winners and finalists of the award are constantly present on their local as well as the international art scenes. The same is happening in the other countries – to name a few, YVAA winners and finalists were selected to exhibit at Venice, Istanbul and Berlin biennials, and Documenta and Manifesta exhibitions all within the past three years. Giving the art scene the tools for proper presentation of such success would result in multiplication of the effect of the awards. In some countries the awards are the only competitive event on the art scene run in a completely transparent method. The continuity and stability of these independent awards is an innovation in itself.
In November 2005, a joint exhibition of YVAA finalists was held in Prague on the occasion of the sixteenth Jindrich Chalupecky Award ceremony. While the exhibition was on view, the FCS, again with the support of the Trust for Mutual Understanding, convened the organizers and winning artists from all of the eight countries to meet in Prague. In addition to a public presentation of each award and the winning artists’ work, the participants met in a closed meeting to share their organizational experience and thoughts on how to build on the remarkable inter-European and international informal network that has been developed over time. The topics of discussion included fundraising needs for continued sustainability of all of the awards, the extreme interest in informal trans-border and regional collaboration, and the need to expose the local art scenes to foreign audience, especially through creation of personal contacts.
The informal trans-border projects may find a fertile ground in the very specific experiences of countries in different stages of transition, supported by ongoing professional relationships between the organizers and the artists alike. The regional Central and Eastern European exchange is as important as contacts with art scenes in the West, building on closer historical ties and cultural references. Such an exchange is also important to the confidence building and empowerment of the artists and arts professionals.
The following modes of extended cooperation were identified as necessary:
• regular gatherings such as the Prague seminar to deepen the personal and professional relationships of the organizers as well as the artists, who so far are the only ones with the advantage of creating connections with the artists of the regional awards during their New York residencies
• organization of joint exhibitions of winners from all countries with occasional major exhibitions and symposia surveying the art of the region
• informal exchange of people at multiple arts events in the region
• inclusion of foreigners on the juries
• invitation of foreign curators from out of the region to visit the countries in the region and to learn about the art scene through studio visits and meetings with artists in person
• jointly seek financial support for sustainability of the competitions to achieve more visibility and higher prestige
• finding financial support for realization of artists work and creation of promotional materials using digital media to present the art scene of the region including web based portfolios of past winners and finalists and the history of all awards
As a follow-up to the Prague meeting, the Foundation/Center for Contemporary Arts in Bratislava, the Contemporary Art Center Skopje and the Institute for Contemporary Art, SCCA Zagreb with the support of the FCS have applied in 2006 for a grant from the European Cultural Foundation to establish a simple coordination entity – Center for Exchange in Visual Arts – as a presentation and promotion platform for the YVAA winners and finalists and the awards, and the exposure of the art scenes in the region to international audience and regional general public. The ECF grant was awarded.
The grant financed the second gathering of YVAA artists and organizers, and another joint exhibition of the 2006 YVAA winners from then participating eight countries which took place in October-November, 2006, hosted and organized by the Kosova Art Gallery in Pristina. The discussions included establishment of methods for distribution of grants from the YVAA/Exchange in Visual Arts travel fund created with seed money from the ECF; further fundraising for travel and exchange of artists and art professionals and curators; website design and structure; sharing experience on art education on the request of the Kosovo co-organizers; planning of next joint exhibitions and gatherings and the possibilities of expansion of the YVAA program to Bulgaria, Romania, Montenegro and Albania. The grant also financed the creation of YVAA website at www.yvaa.net which was launched in 2007 and is being continuously updated with portfolios of YVAA winning and finalist artists from all of the participating 10 countries.
With a generous grant from Erste Foundation, the third joint exhibition, symposium and gathering took place in July 2008 in Belgrade. Apart from the YVAA organizers and winning artists additional guests from the CEE & SEE region as well as the rest of Europe and the US were invited to participate in the symposium and to share their view of the art scene in the entire region. The events bringing almost 40 art professionals and artists together were the largest in the YVAA program to date. Travel grants from the Exchange in Visual Arts program were also used for this occassion.
As Richard Lanier, Director of the Trust for Mutual Understanding, said in the catalogue that accompanied the Prague exhibition of the Young Visual Artists Awards: “One of the most exciting aspects of these programs is the way they broaden the aesthetic experience not only of those who receive the award but also of everyone – fellow artists, curators, critics, and members of the public alike – with whom the winners come in contact, both at home and abroad. It has been especially valuable, for example, in introducing to [the wider international community] the tremendous vitality and creativity of the art being produced in Central and Eastern Europe today.”
The Foundation for a Civil Society and its partners see this as a unique opportunity to build on a vibrant network of arts organizations to promote regional exchange and cooperation.

EXCHANGE IN VISUAL ARTS – YOUNG VISUAL ARTISTS AWARDS in 2009
• Upkeep and update of YVAA website at www.yvaa.net
• Launch of in-region residencies and exchange of art-professionals including foreigners on juries
• Joint projects highlighting the art practice and production in the region on the basis of YVAA
• Expansion of YVAA to Romania and Hungary planned to join in 2010 season


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